Way back in January, I wrote about desert island tools. One of my goals was to set up a toolset that would work for me on a “desert island.” My secret goal was to create a portable electronic music setup, so that when things opened back up, I could go out to the woods and make some music. I had a quiet little fantasy about being in a log cabin in the mountains, overlooking trees and a river, and letting the scenic natural beauty inspire me to great heights of creativity.
Flash forward to a few weeks ago, when we were able to spend the weekend in a cabin in the Lake Wenatchee area of Washington State. I decided to bring a small electronic music setup with me, in order to work on some tunes. I left my Intellijel Palette 101 at home, as I wanted to have something lighter weight. My setup for the trip:
- M1 MacBook Air
- Novation Launchkey Mini Mk3
- Roland SE-02. This synth can hook up to a computer via USB, without needing a separate audio interface.
- Headphones, power supplies, USB hub, etc.
After a few hours drive, we arrived at the cabin. It was PERFECT: a log cabin in the mountains, overlooking pine trees and the Wenatchee River. I brought in my bag of music gear.
And then didn’t touch it for the entire weekend.
What happened? Where did my “desert island music” dreams go?
Quite frankly, once I was in the woods, I just wanted to BE IN THE WOODS. I’ve been shut indoors, surrounded by synthesizers and computers, since March 2020. I’ve had plenty of synthesizer time. Now that I was able to leave the house, I wanted to focus on being outside the house. I wanted to be out in nature. I wanted to go for a hike. I wanted to just sit on the porch, drink a Paloma, and stare at the swiftly flowing river. This trip didn’t inspire me to sit down and make music. It just inspired me, period.
We got back home Sunday evening. The next day, I found myself playing around with the Intellijel Palette 101, the synth I had put together back in January for the purpose of “mobile music.” I created a patch that used voltage controlled wave folding to simulate through-zero FM. Which is a really tweaky academic concept, but it sounded cool. I added ValhallaDelay for looping and other stuff. At some point, I decided to just hit record. 20 minutes of playing and mixing later, and I had my first piece of music in a few months.
The moral of this story? Getting outdoors can be truly inspiring. But inspiration can happen on a macro scale, not just in that specific moment. When I was out in the woods, I didn’t want to touch my computer or synths – I just wanted to soak in the nature, and recharge my batteries. Once I got back home, I was able to approach music with a new perspective. I realized that taking care of myself helped me with my long term creativity, even if I wasn’t actively making art in the moment.